I'm at that stage where my work is coming across to me as tedious. Boring. Irritatingly bland. I'm also up over 59,000 words and still have a hundred pages to finish honing. And that's with me cutting a section I'd duplicated. So I'm still moving forward, but damn, this story is going to rely way too heavily on the voice of Vinnie to keep the reader's interest, and that can be a problem.
With Brendan, I have the times around him as backup to his tale. The growing sense of a world spinning out of control and warping everyone with its violence. It almost seems he is the eye of calm in the midst of the storm until he makes direct contact. And thinking about it, the section in Houston, where he's rebuilding his life, is the most tedious, as well. I have none of the sense of the city's danger really layered behind it...because I don't want him to see it, yet. Because it has to creep up like a cat stalking a bird, but still be there for the reader to notice and fear. Yeah, that'll be easy to pull off.
Hm...this may be something I need to face head on. Maybe this is why I'm confronted by it with Vinnie and his tale -- to find some way of putting excitement into the background of the commonplace and the veiled simplicity of the world around them. Expose the deeper complexities and dangers and beauties of it all...and still keep the character's voice honest and true.
Just the thought makes my head hurt.
With Brendan, I have the times around him as backup to his tale. The growing sense of a world spinning out of control and warping everyone with its violence. It almost seems he is the eye of calm in the midst of the storm until he makes direct contact. And thinking about it, the section in Houston, where he's rebuilding his life, is the most tedious, as well. I have none of the sense of the city's danger really layered behind it...because I don't want him to see it, yet. Because it has to creep up like a cat stalking a bird, but still be there for the reader to notice and fear. Yeah, that'll be easy to pull off.
Hm...this may be something I need to face head on. Maybe this is why I'm confronted by it with Vinnie and his tale -- to find some way of putting excitement into the background of the commonplace and the veiled simplicity of the world around them. Expose the deeper complexities and dangers and beauties of it all...and still keep the character's voice honest and true.
Just the thought makes my head hurt.
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