After getting so much done on Carli's Kills, I've hit the slow zone...not that I care. It's slowly unfolding before my eyes, and Carli's helping clear out the unnecessary from the critical points in the story. So I go with the flow, for now...so long as the flow goes.
Zeke's doing backup for Carli, shaking his head when I get too verbose with him. He's not much of a talker, and I love to have my characters talk. But he's reminding me of a script I was writing with a man who'd escaped from Serbia, during the civil war.
We worked up 40 pages of him tracking some snipers, helping some local villagers capture one of them and exact their own revenge on him, and him then taking an American photographer hostage to force the authorities to release his brother. In all those pages, he had maybe twelve lines of dialogue. But then it shifted to America and we had no idea where to go with it.
I sort of did the same with KAZN -- until the ending, when the lead explains what's really going on. But there were some points where I went for pages without dialogue...so I know I can do it. I just need to keep my focus.
That's the hard part -- focus. I've been doing this for so long but have yet to figure out how to get anywhere with it in a way that I can actually handle. Sometimes I just can't get the passion fired up. It's so much easier to just sit and stare and wonder why I got nowhere...
As most writers do.
Quick note: Eric Cantor got canned. Apparently he was too liberal for the Tea Party in his district. Eric Cantor...too liberal? I cannot even begin to understand how anyone could think that. I'm happy he's gone; he is a vile excuse for a man, and the idea of Karma biting him in the ass is just too delicious. But the one replacing him is mentally ill, and that scares me.
But that's a large portion of America, today.
Zeke's doing backup for Carli, shaking his head when I get too verbose with him. He's not much of a talker, and I love to have my characters talk. But he's reminding me of a script I was writing with a man who'd escaped from Serbia, during the civil war.
We worked up 40 pages of him tracking some snipers, helping some local villagers capture one of them and exact their own revenge on him, and him then taking an American photographer hostage to force the authorities to release his brother. In all those pages, he had maybe twelve lines of dialogue. But then it shifted to America and we had no idea where to go with it.
I sort of did the same with KAZN -- until the ending, when the lead explains what's really going on. But there were some points where I went for pages without dialogue...so I know I can do it. I just need to keep my focus.
That's the hard part -- focus. I've been doing this for so long but have yet to figure out how to get anywhere with it in a way that I can actually handle. Sometimes I just can't get the passion fired up. It's so much easier to just sit and stare and wonder why I got nowhere...
As most writers do.
Quick note: Eric Cantor got canned. Apparently he was too liberal for the Tea Party in his district. Eric Cantor...too liberal? I cannot even begin to understand how anyone could think that. I'm happy he's gone; he is a vile excuse for a man, and the idea of Karma biting him in the ass is just too delicious. But the one replacing him is mentally ill, and that scares me.
But that's a large portion of America, today.
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