I just cut a fair amount from A65 because it just didn't work within the structure of the story, and now I'm not so sure I'll make it to 50,000 words for this draft. Oh, I'm sure it will expand and deepen as I do rewrites, and I'll probably still wind up with 60,000...but right now I'll be hard pressed to hit above 48,000.
I guess that's good. It means the story is quick and easy. And I haven't yet gone into my folder to remind myself of ideas I'd cast aside for the screenplay, so I may still wind up with something close or barely over. We'll see what tomorrow brings. Right now, I'm zoning so am doing no good.
I'm at just under 46,500 words with 10 pages of script left to translate into narrative format. From the point where they have the fight in the private jet that's out of control to the end. All the final back and forth between Adam and the people he works with, too, which will expand as I do it.
The moment where Adam realizes he's been betrayed turned out pretty raw. I may need to smooth that over to keep the book's tone even. Maybe. It also may be that I have a couple things happen too often and will need to remove one or two so their impact is not lessened.
I'm back to not knowing what the story is about. The spine from which everything extends. The action moves along all right but I still need the unifier...and there's no telling when I'll find it. I didn't catch onto OT's till the next to the last draft...of 18 or 20, I don't remember.
Damn, I hope A65 doesn't take that many.
I guess that's good. It means the story is quick and easy. And I haven't yet gone into my folder to remind myself of ideas I'd cast aside for the screenplay, so I may still wind up with something close or barely over. We'll see what tomorrow brings. Right now, I'm zoning so am doing no good.
I'm at just under 46,500 words with 10 pages of script left to translate into narrative format. From the point where they have the fight in the private jet that's out of control to the end. All the final back and forth between Adam and the people he works with, too, which will expand as I do it.
The moment where Adam realizes he's been betrayed turned out pretty raw. I may need to smooth that over to keep the book's tone even. Maybe. It also may be that I have a couple things happen too often and will need to remove one or two so their impact is not lessened.
I'm back to not knowing what the story is about. The spine from which everything extends. The action moves along all right but I still need the unifier...and there's no telling when I'll find it. I didn't catch onto OT's till the next to the last draft...of 18 or 20, I don't remember.
Damn, I hope A65 doesn't take that many.
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