"Marked For Death" is taking some complex turns, and I wonder if I can get away with them in a screenplay. I need to put more thought into it before I further the story. It's not ME that has a problem with complexity in my scripts, it's coverage people who don't want to have to pay attention when they skim their assignments. And I want this one to get sold. Period. So I need to consider the fools I'm writing for, first of all, and THEN the market.
Do I sound arrogant or what? Hee-hee.