1. Stephen King. In his book On Writing, King says that he writes 10 pages a day without fail, even on holidays. That’s a lot of writing each day, and it has led to some incredible results: King is one of the most prolific writers of our time. (I've read this book; invaluable)
2. Ernest Hemingway. By contrast with King, “Papa” Hemingway wrote 500 words a day. That’s not bad, though. Hemingway, like me, woke early to write to avoid the heat and to write in peace and quiet. Interestingly, though Hemingway is famous for his alcoholism, he said he never wrote while drunk. (I wrote my most commercial script while buzzed on beer...in a week)
3. Vladimir Nabokov. The author of such great novels as Lolita, Pale Fire and Ada did his writing standing up, and all on index cards. This allowed him to write scenes non-sequentially, as he could re-arrange the cards as he wished. His novel Ada took up more than 2,000 cards. (I've done this with film scripts...hmm...)
4. Truman Capote. The author of “Breakfast at Tiffany’s” and “In Cold Blood” claimed to be a “completely horizontal author.” He said he had to write lying down, in bed or on a couch, with a cigarette and coffee. The coffee would switch to tea, then sherry, then martinis, as the day wore on. He wrote his first and second drafts in longhand, in pencil. And even his third draft, done on a typewriter, would be done in bed — with the typewriter balanced on his knees. (I can't do that; I get a backache)
5. Philip Roth. One of the greatest living American writers, Roth works standing up, pacing around as he thinks. He claimed to walk half a mile for every page he writes. He separates his work life from personal life, and doesn’t write where he lives — he has a studio built away from his house. He works at a lectern that doesn’t face the view of his studio window, to avoid distraction. (My current setup is in a corner of my apartment facing two blank walls...and a very messy desk)
6. James Joyce. In the pantheon of great writers of the last century, Joyce looms large. And while more prolific writers set themselves a word or page limit, Joyce prided himself in taking his time with each sentence. A famous story has a friend asking Joyce in the street if he’d had a good day writing. Yes, Joyce replied happily. How much had he written? Three sentences, Joyce told him. (I know from whence he speaks)
2. Ernest Hemingway. By contrast with King, “Papa” Hemingway wrote 500 words a day. That’s not bad, though. Hemingway, like me, woke early to write to avoid the heat and to write in peace and quiet. Interestingly, though Hemingway is famous for his alcoholism, he said he never wrote while drunk. (I wrote my most commercial script while buzzed on beer...in a week)
3. Vladimir Nabokov. The author of such great novels as Lolita, Pale Fire and Ada did his writing standing up, and all on index cards. This allowed him to write scenes non-sequentially, as he could re-arrange the cards as he wished. His novel Ada took up more than 2,000 cards. (I've done this with film scripts...hmm...)
4. Truman Capote. The author of “Breakfast at Tiffany’s” and “In Cold Blood” claimed to be a “completely horizontal author.” He said he had to write lying down, in bed or on a couch, with a cigarette and coffee. The coffee would switch to tea, then sherry, then martinis, as the day wore on. He wrote his first and second drafts in longhand, in pencil. And even his third draft, done on a typewriter, would be done in bed — with the typewriter balanced on his knees. (I can't do that; I get a backache)
5. Philip Roth. One of the greatest living American writers, Roth works standing up, pacing around as he thinks. He claimed to walk half a mile for every page he writes. He separates his work life from personal life, and doesn’t write where he lives — he has a studio built away from his house. He works at a lectern that doesn’t face the view of his studio window, to avoid distraction. (My current setup is in a corner of my apartment facing two blank walls...and a very messy desk)
6. James Joyce. In the pantheon of great writers of the last century, Joyce looms large. And while more prolific writers set themselves a word or page limit, Joyce prided himself in taking his time with each sentence. A famous story has a friend asking Joyce in the street if he’d had a good day writing. Yes, Joyce replied happily. How much had he written? Three sentences, Joyce told him. (I know from whence he speaks)
Just thoughts...
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