I rolled it up and let it down and rolled it up and let it down and finally came to realize I didn't need the second confrontation. So I cut one character's role in the drama back to more like a bystander, and now it's working.
Lemm's who helped me battle it out. Jake was a bit too caught up in the whole thing, so having Matt and Lemm get involved is what completed it. Helps with the timing and the flow, and now that boulder's sitting nicely on top the mountain. Until such time as it decides to tumble down, again.
I used Bernardo Velasco as my visual for Lemm. He's a Brazilian model/actor whose physical symmetry is amazing, and I'm playing with the idea no one can tell which side he's on or when he's telling the truth. He's able to get away with being so opaque because he's so beautiful.
Off to NYC to scope out a job, tomorrow, so while I'm waiting in Terminal 5 for my flight, I'll work more on the story. But I'm finally seeing serious light at the end of the OT tunnel. Hell, I may finish this next draft before the end of the month.
Fingers crossed...
Lemm's who helped me battle it out. Jake was a bit too caught up in the whole thing, so having Matt and Lemm get involved is what completed it. Helps with the timing and the flow, and now that boulder's sitting nicely on top the mountain. Until such time as it decides to tumble down, again.
I used Bernardo Velasco as my visual for Lemm. He's a Brazilian model/actor whose physical symmetry is amazing, and I'm playing with the idea no one can tell which side he's on or when he's telling the truth. He's able to get away with being so opaque because he's so beautiful.
Off to NYC to scope out a job, tomorrow, so while I'm waiting in Terminal 5 for my flight, I'll work more on the story. But I'm finally seeing serious light at the end of the OT tunnel. Hell, I may finish this next draft before the end of the month.
Fingers crossed...
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