Continues from yesterday's to the end of Chapter 1 --
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"So what about that bloody Erasmus? Been on the shelf a week and you're expert on it and — "
“It's set to photograph,” Adam said.
That is when Hakim, their unctuous, fastidious, self-proclaimed office manager, popped in to snap, “The provenance better be right, this time.”
Adam huffed. Once, when researching a manuscript copy of Richard Wagner's Die Nibelungen for The Arts Council, he'd neglected to put an umlaut over a "U" in his transcription from the German. Never mind it was he who realized it and informed Hakim before the provenance was sent over, the man now acted as if Adam's work was constantly riddled with errors.
Adam meant to respond with an off-hand, “Of course,” but instead shot Hakim a glare and noticed Elizabeth was about to pass with a thick volume bound in vellum. He bolted over.
“Wait, is this Die Schedelsche Weltchronik?” he asked, in German. “The one found in Romania?”
The book had caused quite a stir around the department — an original Nuremberg Chronicle, by Hartmann Schedel, created at the end of the Fifteenth Century and considered the first and most exquisite example of illustrations being integrated into printed books. This one had been discovered in some attic in Bucharest and was being offered to Merryton, for sale. Photos had been sent and most of the staff thought it was a legitimate copy, as did Vincent.
And Sir Robert. Butterworth. The most recent addition to the governors. He was the one pushing the expansion of the rare book collection, and he was more than a little perturbed when Adam insisted the binding did not look original and the photographs were of pages too easily reproduced. He had overruled Adam and now the book was here for consideration.
"This arrived quickly," Adam continued, still in German.
Elizabeth sighed and snapped, "Adam, English."
He was so used to being reminded he was speaking another language, he merely asked, "Why're you taking it? It’s outside your area of expertise while mine is perfectly suited — "
“Vincent asked me to,” she snapped.
“Why would he do that?”
Hakim snorted. “You argued with him."
To which Elizabeth added, with acidic sweetness, "And Sir Robert, neither of whom likes being contradicted."
Adam huffed. Sir Robert had also put down a substantial deposit to guarantee the purchase because he felt it was too good an opportunity to pass up. He would not like being made to look foolish, but if the book did turn out to be a facsimile and not a first printing, it would be worth a fraction of the owner's asking price.
“Elizabeth,” Adam said, taking the book from her, “you must already see the binding is not contemporary to the book. More like Eighteenth-Century, at earliest, and — ”
He looked inside and huffed, again.
Elizabeth had put her initials on the first endpaper, in soft graphite. It was to show Jeremy by whom the book was catalogued so he could note it in his log, then it was to be carefully erased once photographed. But it was not supposed to be done until the book HAD been catalogued, something she had yet to begin.
Adam cast a glance of reproach at her then tenderly shifted to the title page — and saw that he was right; it had been slipped into the volume with such expert care, only one tiny crinkle showed in the paper. “Here you go; her title page is affixed — ”
Elizabeth cut him off with, “Adam, it's not a person; it's a thing.”
He cradled the book in one arm and carefully held the page up for her to see what was blatantly obvious. To him. “But look at the — ”
She snapped the book closed, clipping his nose with a corner of the front board and making him yelp, then she yanked it away.
“Give it here!” she snarled. “Hakim's right. Half the time you've got no idea what you're talking about.” And she stormed off.
Adam noticed Jeremy was snickering, and Hakim was glaring at him as if he were fully incompetent. This was not to be borne. When he was right about a book, he was right, and he knew he was right. But if he had to prove it, he knew exactly how.
He strode back into The Dark Chamber, aiming for a tiny lift situated in a back corner while rubbing his nose to keep from sneezing. The lift was the main way down to the basement, which held row after row of sturdy shelves packed with books on collectors and collecting, bibliographies, biographies, annual sales records, auction and dealer catalogues, correspondences, encyclopedias — over ten thousand volumes the department had gathered over centuries, for research purposes. Adam considered it a treasure trove.
The basement's one drawback was how dark and dreary it was. Electric lighting had been added a hundred years ago, when the shelves were much fewer, but had not been expanded. That left large sections in shadows so deep, Adam had to use the light on his phone to see or read the books’ labels.
Elizabeth had nicknamed it The Dungeon and hated to go down there for fear of rats or mice. Adam thought she was being too dramatic, for they had Henry the Fourteenth to handle vermin. He was a ginger cat named after the thirteen preceding him, and who was always happy to greet one as the lift door opened then wander off to be content in some dry corner till it was time to hunt for supper — which, considering his hefty weight, he was not wanting for. So perhaps Elizabeth had a point.
The lift was sitting in its place, ready to be used. It had been added at the same time as the lighting, and was barely large enough for one man and a book cart. Plus one had to take extra care when getting in and out as its door and gate were manual and loved to catch your fingers.
Adam sneezed then opened the door and the gate to step in and heard —
“Now, Jere, one of those is mine.”
He turned to look past the shelving and saw Jeremy framed in the doorway with both cups of tea in hand. His expression was as innocent as that of the angels on high as he said, “Sorry, duchess, but last I heard, no means no.”
“And I'm sure you heard it just last night,” Elizabeth snapped, appearing in the doorway with him. “Hand it over. It's my cup.”
“Come and take it,” he cooed, as he backed to his room.
Elizabeth followed him.
Adam sighed and absently closed the elevator door. He was not surprised she liked Jeremy. She could look him straight in the eye, when in heels, and you never knew what he might do from one moment to the next, while the track of Adam's future was straight and obvious till the age of death. Deviation not allowed.
Adam shook his head and absently closed the gate — and it pinched his left thumb. He yelped. It had cut his skin. He pulled a handkerchief from his suit pocket to wrap around it, then set the lever to Basement and started down. He had clean bandages in his rucksack so would get one when he came back up. Oh well, at least the day couldn’t get any worse.
Or so he thought.
-----
"So what about that bloody Erasmus? Been on the shelf a week and you're expert on it and — "
“It's set to photograph,” Adam said.
That is when Hakim, their unctuous, fastidious, self-proclaimed office manager, popped in to snap, “The provenance better be right, this time.”
Adam huffed. Once, when researching a manuscript copy of Richard Wagner's Die Nibelungen for The Arts Council, he'd neglected to put an umlaut over a "U" in his transcription from the German. Never mind it was he who realized it and informed Hakim before the provenance was sent over, the man now acted as if Adam's work was constantly riddled with errors.
Adam meant to respond with an off-hand, “Of course,” but instead shot Hakim a glare and noticed Elizabeth was about to pass with a thick volume bound in vellum. He bolted over.
“Wait, is this Die Schedelsche Weltchronik?” he asked, in German. “The one found in Romania?”
The book had caused quite a stir around the department — an original Nuremberg Chronicle, by Hartmann Schedel, created at the end of the Fifteenth Century and considered the first and most exquisite example of illustrations being integrated into printed books. This one had been discovered in some attic in Bucharest and was being offered to Merryton, for sale. Photos had been sent and most of the staff thought it was a legitimate copy, as did Vincent.
And Sir Robert. Butterworth. The most recent addition to the governors. He was the one pushing the expansion of the rare book collection, and he was more than a little perturbed when Adam insisted the binding did not look original and the photographs were of pages too easily reproduced. He had overruled Adam and now the book was here for consideration.
"This arrived quickly," Adam continued, still in German.
Elizabeth sighed and snapped, "Adam, English."
He was so used to being reminded he was speaking another language, he merely asked, "Why're you taking it? It’s outside your area of expertise while mine is perfectly suited — "
“Vincent asked me to,” she snapped.
“Why would he do that?”
Hakim snorted. “You argued with him."
To which Elizabeth added, with acidic sweetness, "And Sir Robert, neither of whom likes being contradicted."
Adam huffed. Sir Robert had also put down a substantial deposit to guarantee the purchase because he felt it was too good an opportunity to pass up. He would not like being made to look foolish, but if the book did turn out to be a facsimile and not a first printing, it would be worth a fraction of the owner's asking price.
“Elizabeth,” Adam said, taking the book from her, “you must already see the binding is not contemporary to the book. More like Eighteenth-Century, at earliest, and — ”
He looked inside and huffed, again.
Elizabeth had put her initials on the first endpaper, in soft graphite. It was to show Jeremy by whom the book was catalogued so he could note it in his log, then it was to be carefully erased once photographed. But it was not supposed to be done until the book HAD been catalogued, something she had yet to begin.
Adam cast a glance of reproach at her then tenderly shifted to the title page — and saw that he was right; it had been slipped into the volume with such expert care, only one tiny crinkle showed in the paper. “Here you go; her title page is affixed — ”
Elizabeth cut him off with, “Adam, it's not a person; it's a thing.”
He cradled the book in one arm and carefully held the page up for her to see what was blatantly obvious. To him. “But look at the — ”
She snapped the book closed, clipping his nose with a corner of the front board and making him yelp, then she yanked it away.
“Give it here!” she snarled. “Hakim's right. Half the time you've got no idea what you're talking about.” And she stormed off.
Adam noticed Jeremy was snickering, and Hakim was glaring at him as if he were fully incompetent. This was not to be borne. When he was right about a book, he was right, and he knew he was right. But if he had to prove it, he knew exactly how.
He strode back into The Dark Chamber, aiming for a tiny lift situated in a back corner while rubbing his nose to keep from sneezing. The lift was the main way down to the basement, which held row after row of sturdy shelves packed with books on collectors and collecting, bibliographies, biographies, annual sales records, auction and dealer catalogues, correspondences, encyclopedias — over ten thousand volumes the department had gathered over centuries, for research purposes. Adam considered it a treasure trove.
The basement's one drawback was how dark and dreary it was. Electric lighting had been added a hundred years ago, when the shelves were much fewer, but had not been expanded. That left large sections in shadows so deep, Adam had to use the light on his phone to see or read the books’ labels.
Elizabeth had nicknamed it The Dungeon and hated to go down there for fear of rats or mice. Adam thought she was being too dramatic, for they had Henry the Fourteenth to handle vermin. He was a ginger cat named after the thirteen preceding him, and who was always happy to greet one as the lift door opened then wander off to be content in some dry corner till it was time to hunt for supper — which, considering his hefty weight, he was not wanting for. So perhaps Elizabeth had a point.
The lift was sitting in its place, ready to be used. It had been added at the same time as the lighting, and was barely large enough for one man and a book cart. Plus one had to take extra care when getting in and out as its door and gate were manual and loved to catch your fingers.
Adam sneezed then opened the door and the gate to step in and heard —
“Now, Jere, one of those is mine.”
He turned to look past the shelving and saw Jeremy framed in the doorway with both cups of tea in hand. His expression was as innocent as that of the angels on high as he said, “Sorry, duchess, but last I heard, no means no.”
“And I'm sure you heard it just last night,” Elizabeth snapped, appearing in the doorway with him. “Hand it over. It's my cup.”
“Come and take it,” he cooed, as he backed to his room.
Elizabeth followed him.
Adam sighed and absently closed the elevator door. He was not surprised she liked Jeremy. She could look him straight in the eye, when in heels, and you never knew what he might do from one moment to the next, while the track of Adam's future was straight and obvious till the age of death. Deviation not allowed.
Adam shook his head and absently closed the gate — and it pinched his left thumb. He yelped. It had cut his skin. He pulled a handkerchief from his suit pocket to wrap around it, then set the lever to Basement and started down. He had clean bandages in his rucksack so would get one when he came back up. Oh well, at least the day couldn’t get any worse.
Or so he thought.
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