A Place of Safety - Derry / New World For Old / Home Not Home

A Place of Safety - Derry / New World For Old / Home Not Home
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Friday, November 30, 2012

Stonehenge beckons...

I've got it set to see Stonehenge and Old Sarum the day before I leave London. Got the train ticket and the entry fee done; just need to hop a bus when I get there.

I'm staying at a B&B in Wimbledon that's only half a mile from the location of the job. This should be nice. I'm seeing two areas of the UK I've never seen before.

I'm also doing a packing job on the shoreline of Maine, of all places. Just after Christmas. There's a B&B up there not far from the house. And I'll be traveling through Boston, where I've never been before.

I'm feeling very much a man of the world. Right.

I'm doing the packing job on my own, which upset the people I work for. They told me they didn't want to do it due to there not being a lot of profit in it, so when the guy asked me, I took it on. It may be a huge mistake on my part, trying to handle this on my own, but I could use the extra cash and so jumped in. But since I'm doing it, anyway, they thought it should be done through them. I didn't quote enough for there to be any profit, so I said I'd rather keep it on my own...and they weren't happy.

Man...it seems whenever I try to do things for myself, something screws up. Now my nervousness about the job has multiplied. I can just see this turning into a catastrophe thanks to my inexperience.

But I'm still doing it. God help me.

Thursday, November 29, 2012

Dammit...

This is getting to be ridiculous. I just got the latest proof of the paperback edition for "Bobby Carapisi" and it's all off. There's a black band across the top instead of it bleeding to the edge; the spine isn't centered; the blurbs on the back of the cover are jammed against the spine edge instead of in the middle. They sent me an e-mail saying they had to "adjust" some things to keep them from being trimmed away, but this was God-awful.

I went back into the PhotoShop version I did, added grid lines to make sure everything was in the proper place and there was enough for bleed and trim around the edges, laid it on a white background, rasterized and flattened it, saved it into a PDF, and sent that in...to start the whole review process, again.

I'm not letting this be done just to get done; I want it right. I'm the idiot who was too damn coy with the first covers; it's up to me to make this right. Who knew it'd be so hard? Or that it'd take so long?

I'm 90% ready for the trip. Tomorrow I'm taking half the day off and hitting my bank and doing other errands, paying bills, all that nonsense. then it's up at 4am to catch my flight to NYC. I so look forward to that. Price you gotta pay.

It's official; the packing job in London will go through Thursday...and maybe into Friday. I'm going to have to scramble to get some time on my own.

Wednesday, November 28, 2012

Being Human, Season 2

Finished it as I did paperwork and readied Christmas cards. I watched it on my desktop instead of the TV because it was just easier. And I have to say...that show is amazing. It has the usual tricks and distractions meant to keep the plot moving, but I cannot imagine an American show ever allowing its lead characters to do what gets done in this one. I mean, they're honest about vampires being killers, for instance. None of that funky "True Blood" nonsense to make the neck-biters cuddly critters.

As much as I liked "Buffy...", and I did like Angel's curse, he was more interesting after the curse was broken...and then even more-so when he came back from hell. And Spike...oh, my, Spike and Drusilla.

I like stories where you wind up identifying with the villain, understanding him or her. Hitchcock did that a lot -- making his bad guys charming, sophisticated, sexy, all but adorable before ripping the rug out from under you with how you, the audience, accepted their evil acts. It points out we are all like that, in some way or under the right conditions.

I guess that's why Curt in HTRASG is so fascinating. He's a human monster in many ways, but readers tend to sympathize with him. So far, the only ones who've dissed the story are those expecting a lot of play-acting type bondage of the "Tie me up, sir, please" stuff, or were looking for a how-to book. I had one reviewer tout his S&M background and dismiss HTRASG as ludicrous and poorly written...no, he used the word "weakly" written. And that is how he spelled it.

I think that's why I let Daniel get so close to being completely psychotic, in LD. Granted, it made a good cover for why he can't figure out what's going on; he's perfectly away of his mental instability. But it also builds from his crazy-as-hell life and the actions not only friends and lovers have taken against him, but family members. Who wouldn't be nuts? And that's what helps make him sympathetic.

I may have written it in too complicated a style, jumping back and forth in his life, with Ace swirling around him as all hell broke loose. Maybe that's part of the reason people don't want to read it. I'm trying to be more linear with "The Alice 65", but going over "The Vanishing of Owen Taylor", I can see where I'm doing the same thing, again. And I did it in "NYPD Blood".

Is that a style? Or my own psychosis?

Whatever it is, I love Mitchell, George, and Annie in BH. And I love the indication that something along the lines of Orpheus is going to happen in Season 3.

Classic.

Tuesday, November 27, 2012

Busy, busy

I've got too much to do before I hit out for London, Saturday, so I'm working at home as well as at work. And wondering how I'm going to get everything done.

I have 3 definite jobs set, two possible ones, and no way to keep track of my bills or anything till I'm back home. I need to get Christmas cards out, too, if I'm sending them, this year. What a weird time for all this to be happening, and none of these will be easy jobs.

Then comes another one in January, maybe two, and then the California Book Fair. Of course, none of this matters if the world ends on 12.12.12 so I guess I shouldn't get too carried away.

It's gonna be interesting, to say the least.

I'll be in NYC for 12 hours between planes, on Saturday. The scheduling and price just would not work out any other way. But I found I can leave my bag at a place in Terminal 4 and so head to Manhattan for some decent food and maybe a few hours at a museum. We'll see how I feel...and how heavy my satchel is.

Damn...how am I going to handle the expense of all this? I pay for things and get reimbursed, once I'm done. This is going to be massive.

Monday, November 26, 2012

OT and me being lazy about the blog...

Jake is talking with his stepmother, Mira, between planes at Charles de Gaulle Airport, and she's asked him why he stays with Antony.
--------------------
“He is an attractive young man,” she kept on. “But there are too many of his type so I know this is not the reason. I think perhaps -- perhaps you wish to rescue him. But this denotes weakness on your part, and you do not strike me as a weak man. Is it only that the sex is so good? Are you a man like that, Iacof?”

I chuckled at that one; she only used the Persian version of my name when she wanted to indicate she and I were closer than we really were. Thing is, it had been good between me and Tone, in Copenhagen...before all hell tore loose. But for the last year, ever since he was raped and nearly killed in that jail cell, Tone’d freak out if I didn’t follow this one little playbook of foreplay he had in his head – I shower, let him watch and join me, kiss and fool around, towel off and lay on the bed, then I could do whatever I wanted. It was nice the first few times we’d done that, but one day when I’d slipped up behind him in his folks’ kitchen and put my arms around him and played with his tits through his t-shirt, he’d frozen up and started gasping and shaking and it took me half an hour to calm him down.

His counselor took me aside after his next meeting and told me it’d probably happened because the way we usually had sex reminded him of a pleasant time, before all the shit came down on us, and deviating from that took him out of his comfort area and the reality of it all became too...well, real. As we were driving away after the session, he looked at me and said, “I asked him to talk to you. Sorry.”

“Why’re you sorry?”

“I’m acting like a kid. I should’ve told you myself. You wouldn’t’ve had somebody else be your messenger and -- .”

I cut him off by putting my right hand on his neck to massage it, and he leaned forward like a cat and let me stroke his hair, then after his probation meeting we doubled up on the chips and salsa and Margaritas.

And the next day I rented us our own apartment.

So here I was now, and Mira was waiting for an answer, nibbling at her salad as I chowed on the best damn quiche I’d ever eaten in an airport. All I could do is shrug.

“What you want me to say?”

“That it is not merely from pity?”

“I don’t pity Tone, Mira. He’d never let me.” It’s funny, but she was the only other person in the world I felt like I could be completely open and honest with and know it wouldn’t get back to somebody. So I didn’t censor anything I said, in honor of that feeling. “I might get pissed off. I might get hurt. And sometimes I’ll get happier than I’ve ever been when he does somethin' that...that just lets me know he cares about me. Like this one time, when I was having problems with this graphic novel I’m workin' on. I stood out on a balcony in the freezin' cold for I dunno how long tryin' to figure it out and finally just came inside, still lost, and...and Tone had -- he’d made me some hot cocoa with marshmallows and a dark chocolate bar melted in, just like I like it. And I sipped some. And he leaned over and wiped the chocolate off my moustache and licked his fingers, his eyes dancin' like a happy puppy’s, and I -- I ached for him. I knew right then I’d kill anybody who tried to hurt him. I almost did.”

“Almost?”

“When I caught this guy named Rattler stabbin' Tone. In that cell. I plowed into him and grabbed the knife away and would’ve cut that bastard’s throat if Matt hadn’t stopped me.”

“Matt?”

“Wollitz. A friend of Tone and me. Lives with us. He...he yelled at me not to mess up the knife with somebody else’s blood. That’d hurt it as evidence. That gave the deputies time to pull me away and...well...it was good I didn’t do it. But I still feel that way.”

She nodded and said, “In some ways you are so much like your father, and in others you are so completely different.”

“I don’t wanna talk about him.”

“Very well.” And she dug deeper into her salad.

“What’s this really about, Mira?”

She finished chewing and sipped some wine. “He’s let his therapist share his notes. Has he told you everything he’s done?”

“Probably not. I think I got most of it, but he’s so unsure about himself, he thinks he needs to be unsure about me. He’s healin', Mira, and I’m stayin’ with him. Even once he’s better.”

“Is that wise?”

“What do you mean?”

“Your work is in Copenhagen. You are now a citizen of Denmark.”

“You don’t abandon somebody who’s got cancer or AIDS or heart disease, not if you love ‘em. This is the same thing. You still haven’t told me why you’re askin'. Is it Uncle Ari? Have you been talkin' to him?”

“I’ve been listening. He likes your work. His clients like your work. He wants you to become a partner in his business. It is an excellent idea, but you will have to return to Copenhagen to live. Antony cannot leave until next year, at the earliest.”

I just nodded. Didn’t say a thing about next week’s hearing or even mention that I figured she was feeding me a line of bullshit. Uncle Ari hadn’t even hinted about anything more than meeting this client and sending more art assignments my way. And while he and my dad may have been brothers, they were cut from different DNA, because he was open and gregarious and never met anyone he couldn’t like...and couldn’t keep a secret to save his life. So I knew there was something else going on and she didn’t have the nerve to mention it to me. Which brought her down a notch in my eyes. Because if she can’t tell by now that I can be trusted, she never will be able to. And that hurt.

And it also pissed me off enough to be blunt. “This is bullshit, Mira. What’re you really gettin’ at? And don’t hand me any more shit about Uncle Ari. You know me better’n that.”

She stopped in mid-chew and nodded and swallowed then took another sip of her wine. Burgundy with a salad; there’s something wrong about that.

Then she finally said, “Your mother has contacted your father.”

Oh...shit...

Sunday, November 25, 2012

Back to it...

"The Vanishing of Owen Taylor"...

This is turning into a far more complex book than I expected it to be. Why Owen vanishes is the main reason for the story, but it's become more about betrayal and the possibilities of betrayal...and that fascinates me.

I finally got a clue when Lemm's character became an integral part of the story. He and Matt wind up in bed. In a hotel room. Without telling Jake where they are.

Wait...I guess I should backtrack; it has been a while since I was working on this story.

This is my visual for Lemm (short for Leonardo), and he's from Chile. His brother snuck him into America when he was 10 because the rest of their family is dead. Owen gave them work, then the brother vanished, probably picked up by immigration, and Owen helped Lemm keep going.

Turns out, the DA was using Lemm to fight Owen in another legal matter by claiming there was a sexual relationship when the boy was only 15 (he's 20, now)...and that's why they think Owen vanished -- he was facing statutory rape charges.

Well...he's an enigma. I don't know which side of the whole mess he's on, yet. But he's now become a suspect in Owen's disappearance. And while Jake doesn't trust him, he's aware enough to know not to distrust him completely, yet...because Lemm's also directed him to some very important information.

I want Lemm and Matt to wind up together, at the end. Matt deserves it. But I won't know if that's how it's going to be till I write it. And what I've wanted for an ending before has changed drastically on me.

I hope it means that when I don't know, the reader won't know until the end.

Oh...and I'm now close to 70,000 words.

Saturday, November 24, 2012

Workin' hard for Jake

Did 20 pages -- 3800 words, today. Linked up 2 chapters with more madness and confrontation and duplicity.

Too brain dead for anything else, right now. Finished just a little while ago.

Friday, November 23, 2012

Je fait un voyage a Londres...

I've actually bought my tickets. Flying out of JFK on Virgin the 1st, returning on the 9th. And staying in NYC to start packing a private collection and do packing for an auction house...and maybe take some framed items from NYC to Washington DC. I'll be traveling a good 3 weeks, looks like.

I need more underwear.

Hell, I need more money. I get reimbursed for everything, but this is gonna be tight.

There's also a possibility I'll do a packing job on my own just after Christmas. It all depends on when the books need to be at the library they're being donated to. If so, I'll make some cash off that.

Going through OT is a revelation. I've got a lot of stuff in it that does not need to be there, so may be able to keep it to 75-80K in wordage. I printed out a copy and now have a serious visual as to what's missing and what's overindulgent.

But then again, overindulgent could be my middle name.

Thursday, November 22, 2012

Changed directions...

I've shifted my novel writing to the completion of "The Vanishing of Owen Taylor". I looked over it and only have a little left to do, so that's what I'll use for NaNoWriMo's challenge.

I'm using this as the primary image for me. It suits the feel of the story. I don't know who the model is, but I don't have any of Will Fennell's photos that work at this point, and I wanted something stark, like this.

Going back over what I have written, it is coming across as much too bleak and humorless. Dion's bits are fun, and Matthew has some light moments; I'll just look into expanding upon them. I'm not making a tragedy, here; it's a mystery-suspense piece and doesn't need to be so intensely intense.

Reading through "Bobby Carapisi", again, showed me that while there is no real humor in the story, nothing to leaven the tragedy, it is told in a snarky, off-beat style by Eric and an almost amused manner by Allen, that mitigate some of the heaviness. But it's not enough. I made a mistake not using Moritz more, to lighten things up.

Shakespeare always put moments of near slapstick comedy in his tragedies, and he's about as good a guide as you can use.

I'm stepping back from "The Alice '65" because it's just too much of a screenplay in my head, right now, and I can't get into the story from a different angle. I've tried, and that damn brick wall appears, without fail. Besides, Adam's not too keen on doing that until the script is as good as it can get...and it's got a long way to go to get to that point. I can already see a complete restructuring is in order. I just wish people would get back to me on what does and does not work for them.

Sometimes silence is NOT golden, it's terrifying.

Wednesday, November 21, 2012

Interruptions...

Even though I doubt I'm going to London for this packing job, it kept popping up and demanding attention, today. Apparently the gentleman whose books I'll be packing is being a typical book person and wanting a hundred times more information than he needs about every step of the process of shipping. Usually I think people like this are just not happy about letting their books go, so I always emphasize they're going to a good home. Because the truth is, books are like children to real book people. But this doesn't feel that way. More like he's one of those peope who doesn't think anyone is as good at anything as he is.

I have the book person attitude in Adam, in A65. And I tried to work on it, but even though I's supposedly off, today, I never could focus on it thanks to the London crap.

Another job also interfered, as did other aspects of the job...an life. I may as well have gone into the office.

So...I'm not getting it done, this month. The first draft of a novelization of "The Alice '65", I mean. I've got just 28K in wordage and only 9...no, eight days to complete the challenge. And I burned my dinner. And now I'm fighting off a headache. It's irritating. I just want to go to sleep.

Happy Thanksgiving. I'm having fucking tuna.