I have the outline for APoS as tight as I can make it, especially since once I start working on completing the first full draft it's going to change. But I see the line of Brendan's life, now, from 10 year old who's not sorry his farther died to 25 year-old driven into the realm of the IRA's factions. I think the journey there will be like a rollercoaster ride...I hope it will.
I'm getting back to Underground Guy, beginning tomorrow. I have it printed and a red pen ready and waiting. My goal on this pass will be to cut back on Devlin's explanations of what's going on and just let the story flow. He likes to chatter, Devlin does, and that's a failing in something like this. Of course, it's also bad for Brendan to do, so I'm using UG to hone my style in preparation for that.
I'm still haunted by how I get Devlin to finally feel the horror of what's going on...and how his actions caused some of that in his own victims. I can't believe I made a serial rapist the lead in this book...buts it's not the first time I've done that. Curt's one in How to Rape a Straight Guy, and Alec becomes one in Porno Manifesto. Antony is, to an extent in Rape in holding Cell 6, but only to protect himself, while Alan is not the center of Bobby Carapisi, so his nattering on about what he does is not only less important, I hint it's not true...that he's taking responsibility for actions he did not perpetrate.
Jake, of course, is the polar opposite of a rapist in The Vanishing of Owen Taylor, since he was the victim of one. Daniel in The Lyons' Den, would never dream of hurting someone in that way and Adam is too innocent to even consider the possibility of such a thing in The Alice '65.
I think it's the fact that Devlin combines Curt's anger and self-justification for his actions with Antony's need for revenge over his lover's death that makes it so important he be slammed with the reality of what he's done. Him falling in love with his last victim is really fucking crazy...and I like it.
I have that to an extent, when Curt connects with Shayes, but it stems more for his sense of ownership than emotional need. And I don't spend much time on his change of heart. So it's important to get this right, and I think the fact that it's freaked me out is good.
So I guess we'll see how this goes...
I'm getting back to Underground Guy, beginning tomorrow. I have it printed and a red pen ready and waiting. My goal on this pass will be to cut back on Devlin's explanations of what's going on and just let the story flow. He likes to chatter, Devlin does, and that's a failing in something like this. Of course, it's also bad for Brendan to do, so I'm using UG to hone my style in preparation for that.
I'm still haunted by how I get Devlin to finally feel the horror of what's going on...and how his actions caused some of that in his own victims. I can't believe I made a serial rapist the lead in this book...buts it's not the first time I've done that. Curt's one in How to Rape a Straight Guy, and Alec becomes one in Porno Manifesto. Antony is, to an extent in Rape in holding Cell 6, but only to protect himself, while Alan is not the center of Bobby Carapisi, so his nattering on about what he does is not only less important, I hint it's not true...that he's taking responsibility for actions he did not perpetrate.
Jake, of course, is the polar opposite of a rapist in The Vanishing of Owen Taylor, since he was the victim of one. Daniel in The Lyons' Den, would never dream of hurting someone in that way and Adam is too innocent to even consider the possibility of such a thing in The Alice '65.
I think it's the fact that Devlin combines Curt's anger and self-justification for his actions with Antony's need for revenge over his lover's death that makes it so important he be slammed with the reality of what he's done. Him falling in love with his last victim is really fucking crazy...and I like it.
I have that to an extent, when Curt connects with Shayes, but it stems more for his sense of ownership than emotional need. And I don't spend much time on his change of heart. So it's important to get this right, and I think the fact that it's freaked me out is good.
So I guess we'll see how this goes...
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