A Place of Safety - Derry / New World For Old / Home Not Home

A Place of Safety - Derry / New World For Old / Home Not Home
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Friday, December 28, 2018

Long day...

Not in the mood to discuss, so here's part of APoS -- the People's March from Belfast to Derry beginning January 1, 1969. Brendan's older brother, Eamonn, is with the marchers. The Fountain is a Protestant enclave in the Bogside, pressed up against the Derry Walls.

-------

On New Year’s Day, word came the march had begun.

We followed it on Radio Eire, and to my fears, there was more than taunting along the way. And much more than occasional attacks. And the RUC did nothing about it but keep making the marchers change course -- including sending them into a group of Proddies waiting to attack, once -- while the Paisleyites swore to stop us at all costs -- and tried to in Antrim. Some fellow claiming to speak for Sinn Fein said it was ill-advised, this march; that pushing Westminster for improvements in the lot of all working men in The North would help Protestants as well as Catholics and it was necessary to educate those fighting us to show them they were being used by the landed gentry and fools on the councils and on and on and on. And Stormount’s attitude was that nothing much too serious was happening.

I’d pop over to Colm’s to watch the telly, since it was on the BBC, as well. And during one broadcast I caught sight of Eamonn walking close beside this pretty girl, and it looked like his arm was about her shoulders. She seemed upset and Eamonn was angry, but the newscaster would say only they’d been refused access to Knockloughrim en route to Maghera, which added some miles to their trek. Ma’s blanket was around the girl and I was glad he’d brought it for it was horrible cold out. But I also hoped Mrs. McKittrick wasn’t watching, that night, for Eamonn seemed more than friendly with that girl.

The coverage was fair intense as each day it documented more of the Loyalist’s obstructions and taunts and sneaking attacks. Those around the Bogside who’d been unsure of the correctness of the march grew more and more to be on our side with every push by the scum along the way. But progress was being made despite the RUC’s and Proddy’s best efforts. They were greeted well, here and there, and no one could say they’d done anything to provoke any sort of reprisal. Of course, they’d still have to cross the Foyle, but I’d slipped over to the Craigavon Bridge a few times to see if anyone was preparing for a fight, there, and saw nothing in the way of stones being laid up for tossing, so I began to feel I’d been overwrought.

Then on the third, I fixed a lamp for Mrs. Clark, in The Fountain. I’d done work for her, before, and she’d always treated me fair and given me cookies and tea along with a half-crown for my work, but this time she gave me no invite. Instead, she yanked open her door, took the lamp, shoved a full crown in my palm and barely gave me a “Thank you” before she’d closed the door. It took me aback. I glanced around to see if someone was watching and saw a couple of curtains move, slightly. Then I realized The Fountain was fair quiet. That’s when I knew something was up.

I slipped the crown in my pocket and walked away, trying to seem normal but shaking within. The moment I rounded the corner I raced over to the Craigavon -- but still there was nothing to see on our side. No RUC checkpoints. No stones or garbage piled up. No one waiting to have a go at some foolish University kids who still had dreams of peace in their hearts. Nothing.

I ran back to The Fountain and this time stopped at Billy’s home. I knocked and knocked, and I could see shadows moving inside, but his Ma never answered the door. I cried out, “Billy, Billy, you home, mate? Billy?!” But there came no response. I scrambled around to Bishop’s and onto the Derry Walls to run back and look into his garden -- and both his and his uncle’s bikes were gone.

It’s funny, but I wasn’t cold till that moment, and suddenly I shivering like I was ice. Billy wouldn’t join with his uncle on a tear against my brother? He couldn’t.

Throughout, I had heard noises coming from Guildhall Square, angry, dangerous shouts made the more nerve-wracking by the distance of them. I remembered hearing of Paisley maybe coming to town to speak at the Guildhall so ran down to check out the Square, and even before I got there I knew it was no small crowd of angry folk. Sure enough, the Square was filled with people, men and women both, milling about, angry and calling curses at the tops of their voices. I recognized many of them and realized there was nothing but Catholics about. And a line of nervous constables were placed between the hall’s doors and the swirling mob. Lights were on in the Guildhall but some from the Derry Housing Council were still occupying an office, as I understood. But this -- it stunned me. Had the Orangemen come en masse to wreak havoc on Eamonn’s march? Had I been so lost in fixing Mrs. Clark’s lamp I’d missed a call to arms?

I searched for Father Jack but could see him nowhere. I did see a neighbor lady and called down, “Mrs. McCory, up here -- it’s Brendan!”

She looked around and waved, actually smiling. “This is some show, wouldn’t ya say?”

“Smashing!” I took a wild leap and motioned to the Guildhall. “So how many Proddy bastards’re in there you think?”

“I’m hearin’ near five-hundred. And there’s more than a few would gladly burn the damned hall around them.”

“Have you seen Father Jack?”

Then we heard a man calling for the crowd to disperse, and she turned back to the crush. He told people that the whole purpose of the march was to show non-violence and if they did attack the Orangemen in the hall, they’d only prove the liars in Stormount right -- that Catholics were out to do Protestants harm. He wasn’t the first trying to restore control but he was the loudest and most eloquent. Some still circled the hall, calling out insults, but others began to back off. I could see smoke rising from the car park and the Christmas tree was waving oddly, like someone was climbing it, but the animal danger was gone.

Maybe half the crowd had melted away before I saw Mairead, Terry Dolan with her. Then I remembered Ma hadn’t known I was off to Mrs. Clark’s -- in fact, the house had been quiet, with not a noise from the kitchen or in Ma’s garden. Not a sound from Rhuari, Maeve or Kieran. Had Ma even been home? If not, I’d left the place open, and she’d be vexed with me for that.

Wednesday, December 26, 2018

Work intrudes...

Today was taken up with nonsense at work regarding a shipment from the UK that's refusing to be settled. We've been trying to pick it up since last Friday but things keep happening -- clearance was late, wrong papers sent, shipment wasn't transferred to the right truck and on and on. So much of today was trying to find a way to get it finished. Didn't work. I'll be back on it, tomorrow.

A lot of the trouble stems from simple refusal to communicate. The airline says the shipment's on its way...but exactly; we had no room so removed it and will have it on its way, tomorrow, but won't bother updating our system to let you know until the flight you think it's on arrives and it's not there. It takes a phone call to ask about only to be given a shrug and a half-hearted Sorry.

The customs broker won't even try to do a wheels-up clearance (where soon as the plane takes off clearance is begun) until they can verify the freight is on the plane...but then even after it has arrived in the US and is being transferred to the proper facility, they don't check so don't start the clearance until it's nearly 4pm on a Friday before a holiday weekend.

Then the trucker says they didn't send over the Customs release which tells them who can pick up the freight, which they were sent, but because the company picking up the freight doesn't have a copy with them it doesn't matter...and then, after hours of back and forth, they say it's the wrong form, anyway. After the broker is closed. So you're stuck another day.

And this is not unusual, lately. Not the first time it's happened, even in December. It's like everyone's regressing from what they used to know about this crap and having to relearn everything from scratch. I'm not the sharpest guy in the world when it comes to import/export, but even I know to take the right paperwork with me and call if there's an issue the moment it happens, not 2 days later. It's insane.

So little got done on APoS. Just working through a list of the names involved...and assigning last names to some people who only had first ones...and honing the outline a bit with new information. Didn't even get any reading done. I did take a walk to the grocery store and back, and picked up a salad en route.

So healthy of me.

Tuesday, December 25, 2018

Leisurely Christmas Day...

I didn't leave my apartment. I spent much of the day in bed reading. Finished Home to Derry and figured out it's set between 1939 and 1945, though the war in Europe barely impacts the family...except as regards the American Naval base on the River Foyle. All nice and easy. Not even a mention of the time a German bomb hit part of Derry, killing fifteen people, in a spot not that far from where he grew up. Still a very nice informative read.

I started to do a bit of cleaning up on my laptop and somehow damn near erased everything on it. At least, everything I'd done in the last six months. Still not sure how I managed that, but fortunately it wound up in the trash and I was able to recover it. However, it's no longer sorted like I wanted...but that only matters regarding files I'd worked on in the last couple weeks. I'm anal and had saved everything on my laptop to an external hard drive back in mid-December.

Another good thing is, I had part 3 of A Place of Safety open in Word so that didn't vanish. I'd made some changes as I read through it that I did not want to lose. So now all I need to do is update a few files on my laptop and things will be back to where they were.

I've begun posting some of my art on Deviant Art, again. Just the faces I like to do and the covers of my books, but it's a nice replacement for Tumblr. They're still being freaks about adult content on their site -- flagging images that they agree, upon review, are actually NOT adult -- so I've logged off and am now pretty much ignoring them. I may open an Instagram account next, just to see what happens...but still thinking on that.

So that's been my day -- low-key (except for one moment of near heart-failure) and loving it.

Monday, December 24, 2018

APoS is back in mind...

I've been working on it, today. Here's some. This is when Brendan's returned to Derry after 8 years in Houston. He was grabbed by members of the RUC and brutally interrogated but escaped them. The only reason he hasn't been arrested is, Bobby Sands died on his hunger strike and the whole of Northern Ireland is now caught up in rioting and murder. So he's snuck over to Grianan Aileach, the circle fort in the Republic, to meet Colm, a childhood friend who's now high up in PIRA. He's waiting there, now.

------------

I caught the shine of a car’s headlights and leaned atop the wall to watch them peek around the hillocks and shrubs as the vehicle approached. Then the lights were gone but I could still hear the car’s engine...and it was a car, not a truck -- or lorry, if you prefer. It stopped down the lane that led from the road to the fort and I heard a car door slam -- and then just barely heard another close.

Colm was not alone.

It made no difference. I expected he’d be careful about me and thought the better of him for it. I took my hands from my pockets and slipped them into my coat and under my arms, to warm them better. I’d not have him greet me and me having icy fingers, whether he wore gloves or not. Then I saw him stride up the path, and even in his parka he looked trim and casual.

I waved to show him I was here. He returned it and slipped out of sight under the fort. Moments later, he was climbing up to me.

“Bren,” he said, offering his hand, no glove.

I took it like old friends do and smiled. “Colm, thanks for coming.”

He put his glove back on his hand as he looked about. “Glad to. I haven’t been up here in years -- not since I found the pack of yous parlitic on pot and whiskey. God, the memories. Good times.”

I nodded, recalling me lying flat on the ground laughing at the stars and Danny having the last smile I ever saw on him.

Colm waited for me to speak, but it took me a moment to return to now, for suddenly I had nothing to say just then.

He finally took in a deep breath and said, “I’ve heard -- the story is, you were interrogated.”

Still I said nothing, just looked out over the silvery daggers of the distant lough.

“In a hidden place,” he continued.

Memories screamed into my mind’s eye. I shook them away and bolted around to walk the top tier. Around I went, hands back under my arms, my eyes solely on the uneven rocks packed into the wall. I strode fast and didn’t stop till I neared Colm, again. I did not look at him; didn’t need to.

“What did they want to know?”

My voice was a whisper. “Who was helping Danny -- that day.”

“What’d you tell them?”

“Don’t you already know?”

“The stories I hear are conflicting.”

I turned my eyes on the daggers of the lough and whispered, “I told them I was there -- but all I could see was -- was -- ”

The flames danced, danced up to Joanna and she struggled to escape them but they laughed at her and whispered closer and closer and her golden hair whipped about in the smoke and fire and someone was screaming and --
I must have spoken some of the memory because Colm’s voice shook a bit. “Christ, Bren, I didn’t realize you saw so much. We just thought the bomb had sent you off your head and -- ”

My voice had no emotion. “There was a child’s leg in front of me. Still had its shoe and sock on. I think it was a girl’s, but it might have been a boy. I really don’t remember noticing one way or the other.”

Colm was silent for a respectable moment. “So did you know who else was there?”

I finally looked straight at him, and you’d have thought I hit him, the breath he let out.

“I said nothing about you," I muttered. "I told them -- all I could see was -- was -- ”

The leg flew through the air and whipped blood against me as it landed on the pavement and then the smoke parted and --
Colm gripped my shoulder and I realized I was close to toppling over. I hadn’t been so raw since those first days at Aunt Mari’s.

His voice was back to strong. “I’m hearing the RUC knows who was there but they’re being cagey with it. But their actions suggest they’re lying. They aren’t seeking me. None of our grasses have heard question one about me. They just keep saying they know. Hoping to stampede our side into making a stupid move.”

“Colm -- they don’t know. Even Billy thought I was telling the truth.”

“Bill Corrie?” I nodded. “He helped them torture you!?”

“He never laid a finger on me. It was one named Max -- ”

“Harris. Yeah, he’s a right bastard.”

“Maeve should’ve let me end him.” My words snapped out like angry flashes of a whip.

“You’d never have got near him. Still...”

I looked at him, confused. “Still? What d’you mean?”

He pulled off his parka’s hood and looked straight at me, and his eyes were black as coal. “If you’d died, the autopsy would have revealed what happened to you. And we could have used that, now, against the bloody bastard. Add it to the lads dying in Long Kesh and Thatcher’s stupid commentaries and the one shot dead by a plastic bullet, the world would have joined us in condemning the Brits and the Prods and -- ”

I laughed at him, startling him into silence. “You think the world fuckin’ cares? You think anybody gives a tinker’s damn what happens to a group of Paddies in a place nobody knows? Fuckin’ shite, Colm, I give you more credit than that!”

“Haven’t you been listening to the world screaming -- ?”

“Words! Nothing but words! What have they DONE about it? Not one fuckin’ thing! The Brits under Thatcher think they’ll win, despite their history of losing over and over and over and making a muck of it every time. The Americans’re too busy rewriting their history to minimize their own stupidity in Viet Nam to really care. And the rest of the world, oh they say the right things but ask them to back it up with action and you get nothing but more words. Even the bloody Republic wants nothing to do with us.”

“Bren, as a friend I warn you -- don’t say things like that around here. Some’ll think you a traitor to the cause and -- ”

“Aw, Christ -- you sound like somebody from Madison Avenue who honestly thinks selling Cheerios’ to kids means he’s promoting a healthy breakfast and not merely adding to their sugar intake.”

“That doesn’t make any sense.” 

I leaned on the wall and looked at Colm, cock-eyed, probably an idiot’s grin on my face.

“Colm, my Uncle Sean has a bar in Houston. A fine Irish pub with live music on Wednesday, Friday and Saturday nights with an open mike on Sundays, and I went there a few times. People come from all over to drink his fine selection of beer and listen and sing and dance, many of them Irish, but not all by any means. And they sit about on St. Patrick’s Day and get drunk and listen to the lads weave glorious tales of Mother Ireland’s history and ruin, and how grand it’d be were she whole, again, and make vicious smears against the Brits and repeat lies about the situation here and in Belfast and talk and talk and talk, and after all of it, finally toss a few dollars in the till, for the cause, barkeep. And others would listen and nod their heads and sip their beers and go about their lives without another thought of it...because they don’t really care. The blacks don’t care. The Latins don’t. The Asians don’t. And truth be told, neither do the Anglos.

“Oh, the words they use are glorious and meaningful, but that’s all they’ll ever be is words. If anyone else in the world truly wanted the Troubles to end, they’d do more than bleat about the horrible situation in that god-forsaken land. They’d take action. They’d show the Brits there’s too much of a price will be paid if this keeps on. They’d DO something. But what has anyone truly done? To Rome, the situation’s untenable, but their priests keep helping the likes of you. America says they hope civil rights will be had by all, then her arms dealers sell you the weapons you need, not give them, not like they’re doing in Afghanistan, while British arms dealers sell theirs to the Unionists. The Prods violate the laws of England and the Geneva Convention, but when have they ever been held accountable for it? Even the European Court of Human Rights gave into them! No one wants this to end, Colm. Not your side. Not their side. Not anyone.”

“And why would anyone want that, Bren?”

“I don’t know. I just look at the reality of it and that’s what I see.”

Sunday, December 23, 2018

Low key day...

I did a load of laundry then spent the day lounging in bed and reading. I'm in the middle of Tomas O'Canainn's Home to Derry, a roman a clef about a widow raising 5 children in Derry in the 1940s, focusing on a middle boy named Sean. I'm enjoying it a lot, especially Sean's dancing about with religion...thinking if he says enough prayers a Protestant girl he likes will convert to Catholicism so he can marry her...and worrying his mother will find out that's what he wants to do...

He's either 10 or 11 years old, but hasn't actually stated his age so I'm not clear as to the exact time frame. I know his father died of appendicitis when he was 4, in 1935, and that's about it. That and they live on the north end of the city, close to where the old Swilly train depot was. If so, that would make the story happening during WW2 and I don't get that sense about it. Still, it's a nicely told book with gentle details that I find fascinating. Like calling his mother "mammy." I'd seen that in comments on Facebook's Derry of the Past page. Now that site has been a fountain of information.

I think the house they live in is relatively new, because it's not listed on a 1905 Old Ordnance Survey Map I have of the city but is just barely noted on the 1946 Burrows Pointer Guide Map to Londonderry. These maps are a bit confusing. The former, for example, makes reference to a lunatic asylum just north of the city center while the later says it's a hospital. Since I'm still looking into whether or not a hospital was open on the Bogside of Derry during the Troubles (I don't think there was) it would be nice to know what was what, back then.

The main hospital for the city is Altnagelvin, which is on the Waterside and was big and modern back in the early 60s. I passed it when I did my walk from Burntollet Bridge a couple years back, and it's even bigger and better now. But I've seen reference to a clinic on the Bogside, where Brendan would be living, and I think the lunatic asylum was still in operation as late as the mid-seventies, so I'm still digging into that, because it factors into his return in 1981.

The more I know the more I know I don't know...

Saturday, December 22, 2018

Reading...just reading...

I ran some errands then spent the day finishing Adrian McKinty's Gun Street Girl. This book is set against the lead-up to the Anglo-Irish Agreement and its immediate aftermath, in late 1985. Inspector Sean Duffy knows everybody knows everything while people insist nobody knows nothing, especially when the RUC is involved. A code of silence broken only at great personal risk.

Sean's in his mid-thirties, alcoholic and a junkie, and fast approaching burnout when what he figures will be his last case for the Royal Ulster Constabulary gets him caught up in levels of intrigue that neither John Grisham nor Tom Clancy could conceive. It has a double murder, two possible suicides that you know won't be, paramilitary involvement, gun running, MI5, CIA operatives, Oxford University...the whole mosh pit of UK society, back then.

It really does have a lot of the flavor of Belfast in the mid-80's and I'm getting an idea of how soul-destroying the Troubles have been for people and the insane alliances it brought about. It also has women willing to sleep with Sean because they're hot for him. Very easy-going, for the 80's, when people were beginning to freak out about AIDs. On top of that, McKinty spends so much space on what his detective is drinking and snorting and what music he's playing and what programs he's watching, I felt almost like I was reading a textbook.

What is fun is how this book gives Chandler and Cain and Hammett major runs for their money in the cynicism department. The way the higher-ups in the judicial system are out more for brownie points with their superiors than actually solving crimes works as well in Belfast as LA. Money and power having more currency than truth is the same.

Still, I never got caught up in the story. I read it more from a sense of research than fun. Which I guess is okay. It' just I'd like to find a book that will sweep me away with its characters and events like Anna Karenina did...and Steven King's early works...but I can't think of a book that has done that, since I started writing novels. So maybe I no longer will.

That would be tragic.

Friday, December 21, 2018

I am done on UG...

Underground Guy's paperback edition is now available through Amazon, thanks to Ingram. It's still finishing the setup, but it can be ordered. I don't know if anyone can actually order direct from Ingram, except in bulk. But that's neither here not there because this a POD book, not the kind that'll be put on Barnes & Noble's New Releases table.

I'm now a bit at loose ends. I've set up some promo through Smashwords and Ingram and know the Christmas holiday is overpowering everything, right now, so there's not much I can do to get the book noticed. And reality is, it's a very niche market. My hope is the people who've bought HTRASG will find it and go for this one.

So there it is. I've published two books this year -- UG and The Alice '65, and they could not be more opposite in style, substance and meaning. I also wrote a first draft of Dair's Window, a gay romantic-drama. I halfway think I did all of this just to see if I could...and damn well did. Shit.

So all of my whimpering and whining about A Place of Safety needs to be flushed down the toilet with all my other crap. I can do this and make it work. Reading McKinty's books, as well as those of Stuart Neville and Gerard Brennan, showed me I don't need to be exacting in my details. In fact, being precise like that would prove I'm not of the area. All I need to worry about is not crossing the line into unintentional parody.

That's easy to do if you write colloquial-style dialogue, which I do tend to do. And I'll still need to do some of it because of Brendan's sociological background, but no need to go overboard. I can almost hear some of it turning into a Barry Fitzgerald type of Hollywood Irish...all blather and twee, and that would be death to the story.

But now...after what I've done in the last year...I know I can avoid that. I can make this story sing. Pop. Rock. Ballads. Elegies. Opera. All of it.

So just to verify I'm letting my ego run wild -- I plan to make this my War and Peace.

Thursday, December 20, 2018

Back to reading on NI...

I got Adrain McKinty's 4th Sean Duffy novel, Gun Street Girl, today and am settling in to read it. I've already done his first three books -- In the Cold Cold Ground; I Hear the Sirens in the Street; and In the Morning I'll Be Gone -- and while he's not big on inventive plotting his sense of low-key if not merely-tolerable paranoia is very interesting. They're all set in Belfast, which isn't quite the same as Derry, but they do give me a taste of the area as it was in the 80's.

Sean's a Catholic cop in the very Protestant RUC, which was so notoriously brutal, partisan and anti-Catholic it had to be renamed after the Good Friday Agreement because of all the connotations the Royal Ulster Constabulary raised; in 2001 it became the PSNI -- Police Service of Northern Ireland -- and is still overwhelmingly Protestant, but a goodly portion are now Catholic...and I digress...

McKinty's style is something like a Northern Ireland version of Raymond Chandler, with a shattered, fraying Belfast his substitute for a corrupt, decaying Los Angeles. He works in actual events -- in his third book, Sean helps keep Thatcher from being assassinated in the bombing of a hotel in Brighton -- and provides twice as much cynicism as Philip Marlowe could ever have worked up. His stories are a bit predictable, but I don't know if that's from me having plotted my own version of dark and cynical or if it's just that I've read too many mysteries to be surprised, anymore.

In fact, I can't think of the last time a book has surprised me. Maybe that's why I focus so hard on characters and let them lead me places -- letting them provide the surprises. Which they have, many times. So maybe I'm spoiling myself. We shall see.

I also got another book that I bought based solely on liking the writing style of the snippet I read -- The Slaves of Solitude by Patrick Hamilton. It's set in a boarding house just outside London during WW2. I didn't realize till after I ordered it that he also adapted the scripts for Hitchcock's Rope and the British film, Angel Street (and Gaslight, its American incarnation).

I have a feeling this may be the book I prefer, as a reader.

Wednesday, December 19, 2018

UG paperback is uploaded to Ingram...

Now all that's left is getting a PDF proof and, if that looks good, having them send me a printed copy. Normally I do that on a rush service, but with Christmas they aren't offering the option so I'll probably just let it go live and get the printed copy when I can....and hope for the best. I want it available by Christmas.

For once I didn't have to keep uploading corrected files over and over, like previous books. The text still saves from Word into PDF with color profiles, no matter what I do, but that doesn't seem to make a difference once it's printed. Watch it freak out, this time.

Then there's the cover -- shifting from RGB to CMYK absolutely killed the vibrancy of my reds, and I can't seem to work around that. Maybe if I had a newer version of Photoshop I could, but mine's 15 years old. It's serviceable and does everything except the transfer of colors, so I can't whine.

So I celebrated by watching The Big Sleep (1946) as I sorted through a pile of paperwork and bills, and I'm finally getting the last of my Christmas cards out. I get later and later every year, but at least I had a decent excuse.

Y'know, I whine and bitch and complain and get beaten up by the whole process of writing...but once the work is done and it's as good as I can make it (for now), I love the final result. Parts of Underground Guy are some of my best work, yet. And while there's part of me that says it's just a niche genre gay-sex book...a part I can't shut up...I think I did a damn good job on it. I may get one or two reviews that say it's crap...if I get any reviews at all; that's not guaranteed...but I don't care. When I did my last check today I found myself feeling proud of several moments, and how the plot flows together, and the characters as they reveal themselves in steps and stages.

What I did in this book is basically take an evil man, use him as the centerpiece of a story he is telling, and have him change in stages from a beast to a human being. If I did it right, when he breaks down after finally connecting completely with a victim of the serial killer...people will weep for him. I hope. I weep, but then I'm the writer. And I'm self-aware enough to recognize that I've fallen in love with my words.

But I still think they're damn good.

Tuesday, December 18, 2018

UG's paperback cover and synopsis

This is what I worked on all day. Stayed home sick with a near case of strep throat and will probably be home, tomorrow...so may as well make use of my time...
-----
Four men have been raped and murdered in London and the Metropolitan Police think Devlin Pope, an American businessman, had something to do with it. Why? Because while reeling from from news that his mother’s body had been discovered twenty years after her disappearance, he sexually assaulted a young British constable who was working undercover to help catch the maniac.

Of course, Devlin is arrested and the police don’t even begin to believe anything he tells them, despite him obviously being horrified at the torturous deaths that were inflicted on innocent men. Besides, he can prove he was in America when three of the murders occurred. Problem is, he also has a history of brutalizing men who’ve crossed him. But since Reg, that constable, had done nothing to anger his inner beast -- except be in the wrong place at the wrong time -- Devlin’s explanations sound false to everyone ... even himself.

Why? He’s experiencing something he never has, before -- shame over his actions -- and he’s spinning headlong into chaos ... because he has fallen in love with Reg, a man who’s married, has children, is heterosexual ... and hates even the thought of being near him.

Then Devlin learns the police do have another suspect and they are hoping he will help prove that man is the murderer. Instead, he comes to believe they have narrowed their focus to the wrong individual, but they won’t listen to his suspicions. Now he must find the killer, himself ... because to his horror, since Reg looks like the dead men he has continued to put himself in harm’s
way -- and it appears he has become the madman’s next target.

And there seems to be nothing Devlin can do to keep a man he loves but knows he can never have from being butchered.

-->
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I hate to do it, but I like this cover a lot more than my artist's one. It's got the grittiness I think the story needs...even if CMYK doesn't want to give me the rich red I had in RGB. I'm sorry to do it, but I'm dumping the artwork.

The book needs what it needs...

(**NOTE: I noticed the duplication of a word in the description on the jacket's back and corrected that. It's now uploaded to Ingram and I'm awaiting a pdf proof to see how it turns out. 12/19)