A Place of Safety - Derry / New World For Old / Home Not Home

A Place of Safety - Derry / New World For Old / Home Not Home
All three volumes are available in hardcover, paperback and ebook!

Thursday, May 23, 2024

Need a new dust jacket cover...

I finished the ebook copy of APoS-NWFO and sent it off to Publishers Weekly, requesting a review. I've also started working on the dust jacket for the hardback. Got the template and set up the background...and find I'm no longer all that thrilled with the passport images I'm using. It feels too oblique. Almost coy.

I'm wondering about having a vintage UK passport and one from Ireland, pre-EU, lying on a table with a copy of his photo partially on them...but that seems just as artsy-fartsy. I don't like the idea of the portrait, anymore. It doesn't really speak to the story. So I'm at a loss.

I'm almost thinking of an image of Brendan standing outside Aunt Mari's home...framed like the picture of him in volume one...but I don't know how I'd set that up. Maybe something kind of like this. Maybe...bigger house or something...aw, I can't think.

I may go out and about, tomorrow...like over to Niagara Falls and just walk around. Haven't been there since before Covid. I've stayed home so damn much working on this, maybe seeing the Falls will clear my head. I dunno.

I also set up a trip to San Antonio for my nephew's wedding, mid-October. Had enough points on Southwest for free fare; all I had to pay for was the EarlyBird. Got three free nights in two different hotels, and paying partial for one. Rental car's at full price, but still...this'll work for me.

Okay...I'm doing my usual crash and burn after finishing writing a story. I'm signing off.

Wednesday, May 22, 2024

I may make my July 31st publication date...

I submitted APoS-NWFO to the LOC for copyrighting...and also submitted to get an LCCN for the card catalogue listing. Then I set up a page on BookLife for this volume and began reformatting it into an ebook to send into Publishers Weekly to (hopefully) get a review. That is up to them, and they rejected the first volume. But you never know.

The rest of the day's been taken up working on linking the Table of Contents to each chapter. That. Is. TEDIOUS!!!! It's a three-step process, in Word. Bookmark each chapter title. Hyperlink from each listing in the ToC to its corresponding chapter. Then hyperlink back to the ToC. And it not only has to be done right, but there's crap that comes with it that must be deleted.

So I'm about halfway done, but the good thing about this is it's also a way of verifying everything is in order...and lo and behold, I found a fuckup in the Table of Contents. I'd left out a chapter heading and mis-aligned the page numbers, after it. It's wrong on the copyright submission, but that's not important. The text is what counts, there. And that isn't changing...

Unless, of course, the person doing the proofing finds another fuckup. Which is not unimaginable.

Once all this is done, I'll be ready to set the book up with Smashwords and then, having the book jacket set, Ingram. And I can get onto volume three.

I'm going to do something rather arrogant. I was in contact with the Pulitzer Committee and learned I have until October 15th to submit APoS, if i want to. The two published volumes and a pdf of what I've got done on Home Not Home. And I'm going to do it. I know I have no chance against the big-boy books that get submitted, but just taking the chance is important to me, and to Brendan.

So I need to get my ass in gear and do better than my best...as if I haven't already.

Tuesday, May 21, 2024

APos-NWFO closes in on done...

Completely formatted for Copyrighting and the Library of Congress steps needed. And I am beat. 

Here's the full ToC--trust me, they're perfectly straight in Word...but I'm double-checking everything in a pdf before I send it off, tomorrow.

Table of Contents
Rebirthing                         1 
Breaking the Surface       13 
Moving On                      26 
Reclamation                    40 
Reconciliating                 49 
Little Bomber Boy          55 
Ground Rebuilt               75 
Adjustments                    84 
Celebration                      91 
The B-Girls                     98 
Horror Stories                108 
Everett                           118 
Consistency                   127 
Holidays                        137 
Crash and Burn              149 
Intervention                    161 
Compatriot                     175 
Life and Evangelyne      188 
N’Awlins                         201 
Prisoner                           213 
Connection                      224 
Blunt Reality                   233 
Schooled                          247 
Exposure                          258 
Self-care                          269 
Understandings Made      282 
Stasis-not                         298 
Unbound                          310 
The Devil’s Haze             321 
Recall                               333 

About the Author 

Other Books by This Author

Monday, May 20, 2024

Synopsis...#1...

This is my first pass on working up a synopsis for A Place of Safety-New World For Old:

Continued from Volume One -- Derry.

Seriously injured and having collapsed into Akinetic Catatonia, thanks to being caught in a horrific bombing, Brendan slowly rejoins reality to find six months have passed. While his severe physical injuries from the bombing have healed, he is now torn by sudden flashes of memories of that day, as well as arguments between his mother and PIRA over what to do about him. There were some who wanted to let him die, or be killed.

He learns he was taken to his Aunt Mari's home, in Houston. The story in Derry is that Brendan Kinsella left town before the explosion. They have the note he left his mother, the fact he got a UK passport and a job offer on a ship in Cork, and had bought a train ticket to Dublin. That he cannot now be located is of no concern; some day he may turn up, again. 

In reality, he was snuck through immigration as a young Irish boy named Brennan McGabbhinn, using forged papers and a medical visa. His story is, he'd witnessed his father dying in an accident, which brought on heart trouble so got a medical visa in order to be treated by a specialist. It was his Uncle Sean, who owns a couple of bars in Houston, who used his connections in NORAID to engineer this. Reluctantly, it turns out. 

So all this time, he has been kept in an attic room under another name...tended to by his aunt and unable to communicate with anyone. His cousins -- Scott, who's 18 and without a care in the world; Brandi, who's 11 and sees Bren as her possession; and Bernadette, who's 10 and tags along, mainly to annoy her sister -- know nothing of his past and treat him as if he's just a sick relative there for their amusement. 

In steps and stages, Brendan...know known only as Bren...comes to realize all ties to his past have been severed and he has the opportunity to start life anew. Which both excites him and brings on guilt that the rest of his family is still trapped in the horror of The Troubles. But he cannot contact them or return without bringing trouble to everyone. 

He starts to navigate between these issues as he tries rebuild his world, initially thinking he will remain in Houston, with his Aunt's family's support. He gets back to repairing things for the neighborhood maids and grounds keepers; finds a compatriot in Jeremy Landau, Scott's best friend whom he meets by accident and whose family lives just down the street; learns how to deal with the extreme heat and humidity of a Houston summer; and grows to believe he has found a place of safety in a city that is as wealthy and modern and alive, as Houston. 

But slowly he comes to see that appearances can be deceiving.

Sunday, May 19, 2024

Copyright and submission copies

I'm working up a copy of APoS-NWFO to send into the Library of Congress for copyright and catalogue number, and maybe into Publisher's Weekly to see if they will review the book. They turned down Derry, but still gonna try. And I'm using this as the avatar for it. I'm liking it, more and more.

This version is 354 pages long, including the table of contents, title page, acknowledgements and bio, with 339 of it text. That's only 8 more pages of text than Derry. Pretty good. I'm going to hold off on submitting for reviews from BookLife and Kirkus until it's been proofed...maybe. Depends.

I'm asking friends to do the proofing because I cannot afford to pay a professional editor to do it. I was in contact with one who offered me a good deal, but it was still way out of my range. I spent so much trying to get Derry going, I don't know what I can afford for NWFO.

This is why I wanted an official publisher to handle it instead of me. But ain't gonna happen. So what matters is, the story will be out there, and once it's all up and running, I can work out how to focus interest on it. I guess.

Maybe I'll take a class in selling your work.

Saturday, May 18, 2024

Near the end...

Brendan's just learned his mother has cancer, but no one in the family told him. It was in a letter his younger brother, Rhuari, sends to a friend of his, Eldon. They're pen-pals practicing Gaelic, and Rhuari mentions it. This tears Brendan up; adds to his sense of being cut off from his family in Derry.

He goes out riding on his motorcycle, tracks down the place where he was taken to be beaten for dating Vangie -- a churchyard with a playground -- and tears the area up with his bike then goes home and...

---

I strode up to my room, not caring about being quiet. Tore off my jacket. Tore my shirt at the pocket while doing so. I didn’t care. It was too much a part of this world and I wanted it gone, so I tore more away, and each shrick of the material brought me a hint more peace.

My trousers were JCPenney specials, and so fucking middle-class. All those fucking houses around that playground had been fucking middle-class. So these, too, were torn.

In moments, I was wearing nothing, not even my briefs. They were in heaps of rags on the floor, and I was weary beyond measure. I heard movement in the house so slammed the latch closed, then stood still in the middle of the room. No one came up the stairs to me. Nor did I hear a voice. Let them settle back. I had much to think about and wanted nothing to disturb me.

That the people who had probably attended that fucking church would stand by and let someone be tortured without even a call to stop it, that screamed too completely of the actions and attitudes in Derry. A lad being kneecapped by the IRA? Keep walking. Sunday services with the devil Paisley? This proves we are Christians as we slaughter Catholics. Let some bastards erase a young man from the world for daring to date out of his religion or race? Well after all, it’s just not allowed. Anywhere. So it had to be done. Nor would that attitude change.

It made me cold. So fucking cold. I was like ice. Quaking from the shivers. And that’s without the air conditioner going. I set the shower going, more by habit than anything, and looked at myself in the mirror.

I was healthy, now, to say the least. Clear skin. Some freckles had come along. Body more fit. My chin seemed stronger and the mustache—suddenly, it looked pathetic. Was this my one real act of rebellion? Fucking facial hair?

I found my scissors and ran water in the sink, ignoring the shower, then cut most of the mustache away. Ran a lather and shaved the rest. I looked so fucking weird once it was done. Had my upper lip always been so far from my nose?

Then I looked at my hair. Curls and—and more curls—and I cut at it. Along the sides, mainly. And over the top, but not as much. I was thinking of a MyDolls concert I’d been to at a club, with Everett, and some of the lads had what they called mohawks. So I cut my hair down to the point I could shave on both sides of a thick strip of it.

Which made me look comical.

But wasn’t everything about me ridiculous? I very nearly shaved off the rest of my hair to make it official, but no. No, that could be acceptable. This was the look I wanted. A stripe of curls down the middle of my skull.

I saw little scars in my scalp. Some from the bombing, I suppose; some from my lashing. Well-healed but visible. They looked right. It all felt right and made me joyous.

I showered and scrubbed my face and scalp and stepped into the room, stark naked and dripping water. Then I started up some Ramones followed by Patti Smith, flopped on the bed with my headphones, and let the music dance through me.

I thought of the Provos in the Maze, still on their blanket protest, demanding Special Category Status. Eamonn was amongst them. Might even be leading them, for all I knew. They wanted to wear their own clothes as political prisoners, not the bloody uniforms of the state. They’d been allowed that privilege until recently, then told they were now common criminals, not men fighting for their country’s rights and freedom. And once again, as if to prove how stupid everyone was, it was escalating, tit-for-tat.

Beat us and we’ll destroy everything we can in our cells. Take away what we haven’t destroyed? We’ll sit on the floor. Take our clothes? We’ll wear nothing.

I’d now heard that they weren’t even cleaning the fucking cells, anymore. Just letting everything rot with shite and piss. And the response was, fine, we’ll make art on the walls with our feces. God only knew what the next level would be, but it was sure to be met with just as much stupidity from the opposing side. Keep it up until both sides are too weary to continue.

That’s the only way compromise ever comes about, really; both sides grow equally tired. And finally understand that the world really does not fucking care about anything.

So now here I was, approaching the same fucking habit. Should I not bathe? Not clean my room? That would be silly. I was hardly a political prisoner; just a familial one. Like a king locked in his chambers by his royal Uncle. Better that than execute him, I suppose.

So who should I imagine myself to be? Prisoner of Zenda? The Count of Monte Cristo? The Man in the Iron Mask? Considering my actions with Jeremy, once, maybe I was just Oscar Wilde in Reading Gaol. Ha! The Oscar Wilde of the mechanic’s set. He never met a phrase he couldn’t turn, nor I a screw.

Christ, I was pathetic.

But to honest with myself, understanding that made me happier than I’d been in years.

Friday, May 17, 2024

Closing in...

Just 99 pages left to go through. A couple more typos found -- missing punctuation or a first word in a sentence not capitalized. Simple things. I'm still adjusting bits here and there, shifting around sentences in conversations to make for a better flow. I like to think it's coming across as real...like a record of actual people talking and reacting...but I'm way too close to the story to be able to tell.

I'm up to the point where Brendan is grabbed by some racist men, a blanket is thrown over him, and rope is bound around him to hold it in place. He's thrown in the trunk of a car but he manages to tear a hole in the blanket and see at least a little of what's happening as they drive him out to Deer Park. Then he's tied to a tree and brutalized for dating Vangie.

They come close to killing him, thanks to his heart issues, but can't take him to a hospital; he'd be found out as being illegal and all hell would tear loose, so he's taken home, to heal. This sets up a massive rift between him and his family...because he thinks his uncle had something to do with it.

I'm a bit nervous about this section. It's one that's tightly bound, historically, to the racism and hate of America in the first half of the last century, and I've tried to find a way around it. But the story...and Brendan...keep coming back to it. They want it, so in it stays.

I wrote a horror script about a minister conjuring up a demon to prove the existence of the devil, and thus prove God exists. Of course, there was the usual I need five souls sacrificed to make it work, the minister being the killer, and there's the college kids at an isolated cabin on a lake. But I also added one last demand -- that there be a sixth sacrifice of an innocent, killed by a number of people doing the right thing after being told the truth about the deaths and who had really committed the murders, for all the world to see.

I actually worked it out quite well. The minister saw to it one of the college kids is arrested for the murders, then as a crowd gathers in anger, he gives a sermon telling them the kid blamed him for the killings. He tells them the exact truth, but riles them up to where they become a violent mob and lynch the kid...as news cameras record it all.

No way in hell it'll ever get made. That scene kills any possibility. But I couldn't get the remainder of the story to work without it...and when the muse makes its mind up, you cannot change it.

Thursday, May 16, 2024

More than halfway...

...And still making changes to streamline the read. And cut out some proselytizing by Brendan. I have to keep in mind that through this half of the book, he's no older than 18. Sometimes I let observations slip in that are perhaps too adult and aware for him. He's not a fool, even though his mother thinks he is, but he doesn't yet have the knowledge needed to make some of his comments.

That said, he is more mature than most 18 year-olds (as opposed to his cousin, Scott) because he's lived in what was, effectively, a war zone occupied by the British Army. He's experienced brutality and seen horrific deaths. And he's smart enough to know the occupiers will be allowed to do anything they want without legal repercussion.

Like with Bloody Sunday--he figured out something the Widgery Report didn't address. The paratroopers who stormed the anti-internment demonstration on January 30, 1972 came with live ammunition in their rifles. Their intent was to kill people, which they did. 14 men and boys. And the only reason Bren wasn't number 15 was sheer luck.

Seeing death like that and knowing how the killers will walk away, scot-free, colors your view of the world. That's when he started the process of getting the hell away. Which led to him nearly being killed in a bombing and hidden at his aunt's home in Houston under another name, as he recuperates.

Then in the summer of 1973, a new friend of his, Jeremy Landau, is off to work on a kibbutz for a year, and winds up in the IDF during the Yom Kippur war. When he finally returns home, the following summer, he's lost and caught in the horror of it, and he figures out Brendan is the only other person he knows who's seen death like that. The only one who'd understand, and who he can talk to.

They become more like brothers than the lads who share their blood.

Wednesday, May 15, 2024

Final read-through of APoS-NWFO

And I DO mean final -- even though I'm still finding typos and issues. For example, I have Brendan digging up a copy of Mario Puzo's The Godfather at two different times in the story. Dumb. And I've found a couple of moments that needed a bit of finessing to make them clearer and smoother. But overall, I'm a third of the way through and haven't decided I'm completely full of shit, yet.

I'm at the point where Scott drags Brendan to a gay bar and it turns out there's a drag show, that night. This is where he meets Everett, who helps him handle Scott after he's had too much to drink. AKA: Chapter 12.

I'm doing this read-through in its 6x9" format, Times New Roman font in 10", .3" gutter and different even and odd pages. Viewing it at 200% size. The header and footer haven't been set, yet, so that might change the pagination a little, but right now the number of pages of text is 316, and it's just below 142,000 words. I'm going to keep it as much like Derry as I can.

I'm still thinking about what to do for the cover. I kind of like the double passport image, and also kind of like the idea of his painted portrait, but neither of them grabs me like the initial one of the boy in a doorway I used for Derry. So still thinking about options.

I've emailed Martin Melaugh with information about the book, including a jpg of the full cover and links to the reviews at Kirkus and BookLife. And I've offered to send him a copy. This makes me very nervous, because he actually lived through these times while I'm really more of an interloper. I don't know how I'd handle it if he tells me the story's bullshit. I guess we'll see what happens.

God, I want to make another trip to the Cliffs of Moher. They've become a touchstone for my Irish writings.

Tuesday, May 14, 2024

Goddamned typos...

I read through The Prussian, volume 2 of Blood Angel, and found four typos. Irritating, but not bad, for me. I did this to remind myself of Léonidès' voice. His is different from Brendan's; his English and manner of talk more formal and precise while Brendan's is more lyrical and casual. Can't have one bleed into the other.

I'm still trying to figure out the lead-in to the story, and considering other changes to my initial outline. Not that it matters. Once I get into writing it, my hope is the characters will take over and lead me into the part where Léon wants to find his sister and trade Franz for Dmitriy (they can formally do that with a BA they've turned).

Dmitriy is a BA who Gabrielle thought could become her mate. But he was in the closet and only had sex with her to prove to himself he wasn't gay. Now that he's turned, he cannot deny who and what he is, and he and Léon really like each other. But Gabrielle's pissed off about it and refuses to release him to Léon. Hence the offer of trade, since Franz is decidedly heterosexual and filled with violence. Which Gabrielle likes. But that's in Volume 4.

Tomorrow, I'm doing a read-through of APoS-NWFO to get a sense of whether or not it's holding together. If I don't find fault in it...which is probably unlikely...I'm sending it out for proofing and editing. I know I keep saying that, but it's time to put a stop to my incessant rewriting. I'm at the stage of wondering if I should replace a but with an and, which is really kind of nuts.

I should also start figuring out what to do about the artwork for the dust jacket of the hardback. And when I should release Derry in paperback...so will need new artwork for that. And figure out a way to finance this all. It's not that expensive, anymore, but still I'm pretty much on the edge when it comes to my bank account.

And lack of interest in Derry. It's been exhibited in 2 book shows and no bump from either of them, while good reviews from Kirkus and BookLife aren't really bringing in readers.

But still...I carry on. I owe it to Brendan.