David Martin is now submitted to both Smashwords and Lightning Source for publishing. I now await their verdict as regards the files I uploaded. Hopefully I'll have all of that next week. I also ordered a proof of the paperback, to be safe.
I'm pretty sure the electronic edition will be okay; it's already been auto-vetted and now just needs a human to think it's good. That can be a trick.
I already had one mistake pointed out for the paperback version, in that I didn't remove the color profile from the black and white images I worked into the text. I didn't even think to check them. It meant going back and redoing all of them, since I can't figure out how to shift them to B&W in Word or a PDF, or paying Lightning Source $10 to do it. I paid.
I'm into this book for a hefty sum...and I doubt I'll ever break even...but I don't feel bad about that. I'm so used to not making real money off my writing, it doesn't really affect me. At least I'll have it out there, ready to be read. That's what really counts.
I'm thinking of offering a hardback edition, but that'd be another $71 for setup, and I want to see how the paperback does, first. Then maybe I'll do a nice one in cloth, with a slipcase, if they offer that. Give them as Christmas presents, next year.
I had a fun little bout of searching for the copyright documents for DM, last night. Went through just about every box I had before finding it. There's so much dust still floating around in my apartment, right now, even Zyrtek can't keep up with it. But I found all my copyright docs, so it was worth it. I found I even had one script that's still registered with the WGA; I thought they'd all lapsed.
It was weird, digging into boxes of materials that basically show a life of wasted opportunity. All the scripts I never wrote. Stories I had ideas for. Competitions I'd entered. Companies and people I contacted about my scripts...all of that numbers well into the thousands. Jeez.
Like the man says, you can get kicked in the face for just so long before you figure out it's a good idea to stop letting them kick you. I never did know what to do to make Hollywood notice...or I did know and just couldn't do it, for some reason. Probably one of my deep-rooted psychoses. We all have them; but mine were detrimental to my chosen career. Should've figured that out years ago.
Now I can focus on OT, again. NaNoWriMo ends today, and I only have 12K in wordage for Carli's KILLS, so that's a bust.
Story of my life.
I'm pretty sure the electronic edition will be okay; it's already been auto-vetted and now just needs a human to think it's good. That can be a trick.
I already had one mistake pointed out for the paperback version, in that I didn't remove the color profile from the black and white images I worked into the text. I didn't even think to check them. It meant going back and redoing all of them, since I can't figure out how to shift them to B&W in Word or a PDF, or paying Lightning Source $10 to do it. I paid.
I'm into this book for a hefty sum...and I doubt I'll ever break even...but I don't feel bad about that. I'm so used to not making real money off my writing, it doesn't really affect me. At least I'll have it out there, ready to be read. That's what really counts.
I'm thinking of offering a hardback edition, but that'd be another $71 for setup, and I want to see how the paperback does, first. Then maybe I'll do a nice one in cloth, with a slipcase, if they offer that. Give them as Christmas presents, next year.
I had a fun little bout of searching for the copyright documents for DM, last night. Went through just about every box I had before finding it. There's so much dust still floating around in my apartment, right now, even Zyrtek can't keep up with it. But I found all my copyright docs, so it was worth it. I found I even had one script that's still registered with the WGA; I thought they'd all lapsed.
It was weird, digging into boxes of materials that basically show a life of wasted opportunity. All the scripts I never wrote. Stories I had ideas for. Competitions I'd entered. Companies and people I contacted about my scripts...all of that numbers well into the thousands. Jeez.
Like the man says, you can get kicked in the face for just so long before you figure out it's a good idea to stop letting them kick you. I never did know what to do to make Hollywood notice...or I did know and just couldn't do it, for some reason. Probably one of my deep-rooted psychoses. We all have them; but mine were detrimental to my chosen career. Should've figured that out years ago.
Now I can focus on OT, again. NaNoWriMo ends today, and I only have 12K in wordage for Carli's KILLS, so that's a bust.
Story of my life.
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